Development of authentic motion picture criticism in India…

A heading photo!!!

A section of the audience in every movie theatre prefers to appreciate the work of the film maker keeping the flavour of the film and the message conveyed by the film in mind. They can see through the scenes of the film and read between the lines written by the writer and as the movie comes to the climax, they develop a perception about the merit of the film.

How we see Indian cinema!

In India, criticism is hardly enjoyed, forget about appreciation. A critical appreciation of a film, music piece or any other piece of art always helps an artist to improvise his skills and diminish the unforced errors… However, constructive criticism in Indian films including the regional film industries was never encouraged. The result? A hell lot of poor quality films hitting the theatres every week and our taste for quality cinema is almost breathing its last breadths.

They ruled the Industry.

 What is Cinema for  you?

If you can answer this question without thinking, you will be able to evaluate the average quality of films made in India. A country where people die of starvation and kids hardly get the opportunity of primary education produces hundreds of films worth some billion shameful currencies! India never experienced a film movement like the ones in Europe. I feel that a mass movement was required to change the obsolete and paltry ideas. The entire conception of films, movies and cinema in Europe is different from what our so-called film makers think here in India. I am not speaking about the exceptions. We treat films to be a part of our entertainment. However, we hardly look for enrichment of ideas, thoughts and culture. We merely notice the art and the artist that took the pain to design that piece of entertainment. Film critics judge the success of a movie on the basis of its box-office collection. Had we read a few articles on European movies and their thoughts post world war-2, our notion about a “good film” would have been straighter and better. We the educated section of the audience are socially and economically responsible for this mass wastage of resources. We praise trash and we pay money to those people who make these trashes.

Crowds engrossed in watching a movie...

Our culture and studies are extremely limited when it comes to critical appreciation of a movie. We can easily understand that by comparing the standards of European movies in terms of its treatment. In India, film makers used to treat a story like a stage drama enacted in-front of a Camera. I know the statement give rise to a lot of other questions as well. However, if we start comparing the movies from an era of the late 50’s to today’s date, it is quite evident that European movies were far more advanced. We are the luckier generation as we get to know the views and perception of Indian film makers like Satyajit RayRitwik Ghatak, Shyam Benegal, Mrinal Sen, Girish Kasaravalli and some others. Their works were screened in various international film festivals. They had the taste of ‘real cinema’ and also were a part of the ‘film movement’, I was speaking about. Not with the European style but their works depicted the ideas and the culture of Italian Neorealist film movement, Russian futurist movement in visual art, French Impressionist Cinema, Soviet Parallel cinema and German expressionism. They practiced their form of art in Indian cinema abiding by the philosophies and views asserted by the leaders of these movements. These people tried to explain the various shades of cinema. Indian Film Education has started to see through their ideas and statements as far as film theories and film aesthetics are concerned. Indian film movements never shifted gears and lost their goals in between seasonal turmoils in the social, political and economic scenario of our so-called independent nation.

Two film critics in an auditorium in Europe. an old picture!

If we take the courage to look what’s happening beyond the seas, in the western countries, you will sadly realize that India’s contribution to this form of art is handsomely negligible! So, are we still nagging with our rich cultural heritage designed before centuries, or, are we ready to make a significant move to ensure that the people in the generations to come acknowledge this effort with a warm ovation. However, we are still waving the flag for commercial movies high up in the sky and getting entertained with what we call a package of happiness in the weekend.

Can’t we change our views and tastes for the betterment of this form of art? Can’t we stop producers who make mindless movies and name that entertainment? The answers are still pending. Revolution has various ends and edges. I stand by class of ideas and true culture which gives us the hope of progressive life in every sense.

A mymotionpicture presentation!

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A tribute to Ray…

An effort to materialize a vision, a dream and an imagination is reciprocated by one and all if and only if you have the courage to define the form of art that you want to profess, preach and practice. Cinema is a huge subject which tends to have its direct effects on my imagination and vision towards life. As an Indian citizen, I feel immense pride and pleasure to announce that a master of this art form was born in our country. He made his countrymen feel the pompous and gave them the opportunity to taste victory over their international counterparts in the field of cinema. India was marked in the map of International film industry after Satyajit Ray came into the picture.

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The period was 1955; exactly 57 years ago the release of “Pather Panchali” marked the beginning of an era of “Neo-Realism” in Indian cinema. Satyajit Ray, son of the famous poet Sukumar Ray came to the fore front representing India and managed to earn a fair bit of respect in the World of cinema. Over the next four decades his work was praised and acknowledged by film critiques and general mass all over the world. He is rightly regarded as one of the finest film-makers this world ever experienced. Even today, he continues to be an inspiration for all the upcoming film makers of this country. He still holds the most respected position as an Indian film maker in the international film circuit. He was truly the master of this art.

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Ray was one of the prolific writers that Bengal and India had. Apart from his achievements in the world of cinema, he wrote many novels. Short stores, essays on cinema and his views about Indian and foreign films. His articles were a treat for the readers and his work for children remain etched on your mind. He worked his way out in between immense constraints and defeated physical and material causes which were hindrances to his creative work. His dedication towards work and his urge to excel helped him to overcome every odd situation that came through his way.

In this post, I hardly have the opportunity to speak something which will really imply and describe his enormous popularity and his huge credibility in the field of art and culture. However, I would like to dedicate my blog, my wishes and my dreams to this man and expect to be a part of his vision which actually gave him the courage to stand out from the crowd and leave an autograph on the minds of every Indian film lover. I would like to demonstrate life with pictures which have motion and my-motion-picture depicts every bit of his struggle towards excellence, failures that taught him lessons, success that made him urge for more and accolades that made him an institution in the field of cinema.