First impression: Anjan Dutt must be terribly pissed off with the recent trend in the industry that felicitates 100 Crore club members and he decided to make Ganesh Talkies. Well my second impression was logically reasoned and emotionally verified. Hope you will have a patient read…
Probably, this will be a critical appreciation of the movie – Ganesh Talkies. With all the speculations going on in the market and a huge section of the crowd trying to defend the veteran director, I would like to take a route upstream. It was June 24th, 2011 when his national award-winning movie, “Ranjana Ami ar Asbona” was released. Two years from then 21st June saw the release of Ganesh Talkies, a commercial film as proclaimed by the director himself.
In a country, where film making is either business or art, the idea was to blend both of them and present something entertaining. A film not only dedicated to the class, but also for the mass. Ganesh Talkies, the recent motion picture by Anjan Dutt was a potboiler with many distinguishable characters that you can relate to. The story was simple, lucid and heartwarming for the young and the young-at-heart audience who would admire the actor, director, singer and song writer for all his credibility throughout the years. It gathered momentum from some wonderful performances by the actors and subtle skill from the director. A candid narration added some adequate flavor to the story telling and one has to admit that the film truly celebrated friendship and nostalgia like many other movies of Dutt. He had the courage to state some unsaid verses in his symbolic honest mannerism and you can easily find him and his ideologies in every scene of the movie. However, did Ganesh Talkies prove the quality and excitements that it created or did it surpass the expectation of the audiences far and wide?
Theory: We are subjected to a very innovative style of cinema. A film where we have a typical hero and a heroine, however, the story is more about two people from two different strata of the society who were school friends and presently the parents of the protagonists. Now, how would you like the audience to react? A section of the crowd who wished to see some masala story with the major characters hardly got anything to take away and a section of the crowd, who inevitably watches a Dutt film found the item song unjust, untimely and extremely unpleasant to match with the nostalgia and the under-dog love story celebration. The screenplay lacked clarity at various points.
They say the market is a pyramid and to generate revenue you have to attack the base. So, our director did the same. However, with his intellect and perception of world cinema, he could not do away with the subtle features of film making that bagged him the much coveted national award. Here, he unknowingly disturbs the niche audience as well as the alluring new market.
Anti-Theory: We already have a dozen of directors in Bengal and may be hundreds of them in India who cannot think of a film without an item number. May be, they start writing the story after a catchy item number is finalized. Sincerely, the “jhal legeche” number was not bad at all, the depiction and use of the song shatters the entire gravity of the film, to be honest. Trusting the veteran film maker with his tastes and modernized approach, I felt that even the climax was too co-incidental. Raima Sen hardly had a screen presence and Chandan Roy Sanyal was seemingly uncomfortable in the first half of the film.
Even then, I won’t say the characters were excellent, but they were very real. However, it might be a choice for the audience to accept or argue.The alternate love story, the grey promoters in the city, the ageless friendship, selfless love and the captivating local goons fighting for power were equally emotional and hilarious from time to time. Anyone would rate Ganesh Talkies ahead of a lot of films released in recent times for coherent reasons.
Story in a nutshell: Pashupati (Biswajit) and Pravin (Rajesh) are childhood friends. Pashupati is planning to marry off his daughter Saban (Raima) to an NRI. But Saban is secretly in love with Arjun (Chandan), Pravin’s son. What happens when both families come to know of their concealed romance? The parallel stories revolve around a lack-lusture single screen theatre named “Ganesh talkies” and some enterprising promoters trying to convert it into a multiplex. A cross -cultural love story with all ingredients to tickle the idiosyncratic relationship of bengalis and marwaris which remains the USP of Ganesh Talkies.
Music and the rest: Unlike other Anjan Dutt movies, music of Ganesh Talkies didn’t turn out to be a memorable record to cherish for a long time. Although, I keep humming the “Na Jaane milo ge Kahan” number now and then, the item song, was definitely an itching experience which persisted even after the “happy” ending of the film. The lyrics of the songs are appreciated by one and all. The camera movements and editing were average baring a few signature scenes that can only be seen in an Anjan Dutt movie. However, as announced by the director himself, it would be unjust to expect anything “extra” from Ganesh Talkies for the same reason that would restrict me to write something about Khoka 420.
To wrap up, Ganesh Talkies is a film that should not be quantified with success pertaining to numbers but hearts won and broken. If this was the maiden attempt of Dutt gambling a different genre of films which is sadly known as commercial cinema in India, I must congratulate the Anjan Dutt for his efforts. The unification of viable (read commercial) films and parallel film making was certainly difficult to achieve and the director, like always breaks off the shackles to deliver something for the audience to chew upon. For those who have seen the movie, I would expect a constructive debate and those who are yet to watch Ganesh Talkies, make sure you don’t miss the transformed Dutt.
A Note to the audience from the desk of mymotionpicture: In India, creating, endorsing and selling something intellectually crisp and indigenous is becoming extremely difficult. As an audience, if you feel restless and frustrated with the decreasing quality of films, original music, plays etc, do have a look at the mirror and reason your choices when it comes to piracy, downloading, stupid south Indian remakes and everything that disturbs the culture and aesthetics of the city and the country. Look around and let the good film makers derive inspiration from deserving claps and proper recognition. It is truly an ominous sign if sensible film makers of our times tend to change their ways and succumb to shallow stories and superficial entertainment. May be a wake up call!
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