How are you movie watchers from the land of Rabindranath Tagore and Satyajit Ray? I hear, they cut cakes together now-a- days! Celebrated their birthdays recently! The film industry of this part of the world is seeing some change. Some change for the good. I believe every time I am discussing something with someone from this good old place which was once called Calcutta (now known as Kolkata), the refinement of the thoughts always reflect cream and something else that raises the quality of the discussion. So, discussing movies has always been a pleasure! Movies critically analyzed and then pitched with mixed emotions and changed climaxes. I am sure you did this with your silver screen peer as well.
Bengali films, rather the new age Bengali films have really managed to make place in the hearts of urban Bengal. However, there are still senseless movies produced for the huge audience in the remote areas of the state. I would not chastise those producers and directors for capitalizing illiteracy; however, I would like to let them know, that we know as well. There is a very thin line between senseless and sensible in terms of creativity and here lies the question. For those who mint money with item numbers and rain dances, are they happy to serve their hunger with these or have completely murdered their urge for excellence in terms of creativity and inspiration!
Recently, I saw “Goynar Baksho” by Aparna Sen and the national award winning movie “Shobdo” by Kaushik Ganguli. I loved them for entirely different reason, although I can only say that both of them (the directors) were brilliant in their approach. One explained contemporary commercial movies and the wide window it has to improve. The chances where one can improvise and make it an out and out entertainer without letting the audience know that its fiction. On the other hand, Shobdo was an attempt for which I should thank the producer first. I don’t know how Mr. Ganguli managed to gather enough courage and money to go and hunt for a dream film like this. I was overwhelmed with the editing, cinematography and specially the sound effect of Shobdo. It was rightly felicitated with the National award in Sound Design.
Speaking more about Goynar Baksho, Aparna Sen adapted a story of Mr. Sirshendu Mukhopadhyay and brilliantly screened it with Mousumi Chatterjee excelling in her flick as the ghost Pishima protecting her closet of jewelries. Konkona Sen Sharma, Saswata Mukherjee, Paran Bandyapadhyay, Shrabanti and others did exceedingly well. The director used some apt visual imagery to portray the three generations attached with that particular box of jewelries. You can still watch the movie to know more about it.
I was rather interested in describing a well made commercial film that can also fit into the genre of art films. If I am through to you, you can reciprocate with names like Hawa Bodol in Bengali or something like Barfi in Hindi. Aren’t they commercial films? They are thoroughly commercial ones. The ones with high box office risks, but the way they are presented brings this outlook of intelligent movies. The film makers who tend to reason the prospects of Masala movies can learn how to cook a quality recipe from film makers like Aparna Sen. She thanks her producer for realizing her long back dream script into a successful movie with a gesture indigenous to the crispy dialogues of Pishima!
Well, AnandaBajar Patrika – the eminent newspaper of Bengal rated Shobdo with an all time best of nine and a half on ten! Shobdo is acclaimed with a national award for sound and one for the best Bengali movie. Screened in various international film festivals and rated highly. Numerous reviews and many a wonderful words spent to describe this lifetime work of Kauhik Ganguli. How should I describe it now? A story about a Foley artist (Ritwick Chakroborty) who gets over-obsessed with the creativity involved in his work and fails to register normal human voices. He becomes engrossed in background sounds, precisely the free sounds in the nature. So, his wife (Raima Sen) becomes worried about this abnormal behavior and takes him to a psychiatrist (Churni Ganguly). She chases the case to its end and I would love to realize something what she actually discovers. Human beings like them are labeled abnormal, however, we the so called sane section of the society are more vulnerable. Anyways, go and watch the sound of Shobdo in case you missed it in the theater!
Shobdo, is a film about a film technician or rather sound artist. We hardly wait in the theaters when the size of the font decreases. We hardly realize their contribution towards the movie. They don’t know about us and we don’t try to know about them. The film was special to me for many reasons. This was one of the major ones. It was wonderfully crafted barring a small section where Victor Bannerjee (respect) was probably over used. I was mesmerized with the acting skills of Raima Sen in this particular movie. The director was very particular about the continuity and rightly describes a splendid art film. Shobdo was articulately designed for the hearts of a niche crowd that applauds good work, rather exceptional work.
To wrap up a heart feeling discussion about two recent Bengali films, I would like to express my expectations and excitement for the entire year. I wish like the last year, I get to watch a flock of differently beautiful Bengali movies. Some of them are already waiting to hit the screens. Fingers crossed for “Ganesh Talkies” by Anjan Dutt.
Signing off from the desk of mymotionpicture till I find a SOUND jewelry Box to sponsor my movie…
- Hawa Bodol review – Analysing dreams! (mymotionpicture.wordpress.com)
- Moushami Chatterjee had done excellent work in Gainer Baksho. (expertscolumn.com)