Rejection in the Oscar Awards – Yawning audiences and Duping producers!

We watch movies in theatres and now we have multiplexes to cater our pride and beat the hectic city schedules. But, have we sold our logic and reason to some unknown sheriff from a distant land or are we relentlessly poised to receive whatever trash we are subjected to? The answer to the question seems rhetorical. India produces the most number of films on this planet. However, we are yet to get congratulated by the biggest academy award in films, the Oscars! Let’s ask ourselves. Why?

India’s first ever entry to the Oscar “Mother India” got the nomination in the category of best foreign film, but lost by just one vote. After that it was a long wait of 31 years as “Salaam Bombay” by Mira Nair made it to the list of the last five. Recently, India’s interest in the Oscars was re-ignited when “Lagaan” was nominated but lost to “No Man’s Land”. I said recently to be ironical enough!

It does seem the Academy tends to favour European films with France leading the foreign language film nominations with 34 in total and having bagged nine Oscars, and Italy following with 27 nominations and 10 wins. But the Oscar has also gone to movies with people from Arab, Far East and Slavic backgrounds. Indian films never seem to have fitted the Oscar bill. Satyajit Ray, whom the Academy conferred with the “Lifetime Achievement Award” on his deathbed, never bagged a film-specific award. His “Pather Panchali” won 11 international awards, but no Oscar.

When will India represent Oscars like the ones in Europe and America?
When will India represent Oscars like the ones in Europe and America?

Ironically, Vittorio De Sica, who won two Oscars for “Shoeshine” and “The Bicycle Thief”, had deeply impacted Ray’s work. Even last year’s Oscar-nominated Iranian director Majid Majidi is a self-confessed admirer of the legendary Ray. Besides Ray, many filmmakers and an endless number of films have missed a chance at the Oscars but have gone on to join the repertoire of the finest cinema of the world. They include Jean-Luc Godard and Francoise Truffaut, masters of the French New Wave, and others like Yasujiro Ozu, Michelangelo Antonioni, Mrinal Sen, Claude Chabrol, Alain Resnais, Kristov Zanussi, Robert Bresson and many more.

The other Indian to have won an Oscar is Bhanu Athaiya, well-known costume designer from Mumbai. She was jointly named for the best costume designing for Richard Attenborough’s multiple-Oscar winner “Gandhi” (1982). In 2005, filmmaker Ashvin Kumar’s “Little Terrorist” got nominated for the Academy Award in the Best Short Film category. And then in 2006, “Born into Brothels”, a documentary filmed in part by children of sex workers of Kolkata took home the golden statue.

With Indian studios churning out 1,000 films a year, it has the potential to be a film superpower. An Oscar will help in consolidating its power. But most experts say that India is simply not sending its best to the Academy. We still believe in films that make money in box office and we deprive that handful of quality motion pictures celebrating the bogus and senseless Indian films produced all round the year. Leaving a few alternate film makers who are recently making the headlines, the trend of Indian cinema never took the right decision of making and promoting better stories along with quality screenplay and splendid direction. Believe me, the jury members of the Oscar look for strong scripts with tight direction and not stories of ghosts, disabled people or a historic literature that fails to go up to the standards of Gladiator or Lord of the Rings! So, why don’t we send the right ones?

India's recent entry to the Oscars...
India’s recent entry to the Oscars…

I believe the financiers are skeptical  lest they lose this so-called commercial market and the chance of looting the audiences by showing senseless trash for a tedious 180 minutes! The answers are still resonating down your throat, come on and speak it up! India cannot be a country producing films with rain dances! We have a better appetite for movies and we will claim our rights very soon! Investigate!

Signing off from the desk of mymotionpicture, expecting disarray in the system of film-making in India…

10 Replies to “Rejection in the Oscar Awards – Yawning audiences and Duping producers!”

  1. Hi, Oscar Fans! Today, I’m Leaving You A Rejection Response And So, I’m Happy To Tell You That I’m No Longer Interested in Nicole Ki
    dman, Robert Downey Jr, Jennifer And Emma Stone And I’m Sorry F
    or Rejecting Their Movies And Because They Don’t Know Me Becau
    se The Distance is So Big And I Couldn’t Know Any Movie Stars That
    Can Make Me Angry And So, I’m Denying And Rejecting All Movie St
    ars And Except For Amy Adams And Other Girl Whom I Don’t Remem
    ber! Oh, Well That’s OK! We Love Them Anyway And I Just Voted Fo
    r Them As My Favorite Oscar Winners! Date 02/24/2013 Midnight


  2. I would like to express some appreciation to the writer for bailing me out of this type of crisis. After scouting throughout the the net and meeting tips which were not beneficial, I thought my entire life was over. Yes! I am a film student. Being alive without the presence of solutions to the difficulties you have solved by means of your main review is a crucial case, as well as those which might have in a negative way damaged my career if I hadn’t encountered the website. Your understanding and kindness in maneuvering every aspect of Indian films was important. I don’t know what I would have done if I had not come upon such a wonderful website like this. I am able to at this moment relish my future and plan something about my studies. Thanks so much for your high quality and results-oriented guide. I will not think twice to propose your web page to any person who should receive care on this subject, Indian cinema.


  3. We simply don’t make movies that appeals to the Oscar jury. Its about the fundamental attitude about a particular genre. Think about it, there are genres we completely reject as quality. Jaatra for example, if I want to watch a jatra its fine. But if a film looks like jatra we’d reject it. Similarly the Bollywood films overloaded with loud song and dance fails at the Oscar standards as a genre. “Its like Bollywood doesn’t make quality films. It entertains millions, but doesn’t make films the same way we understand films.”

    Some films sure breaks this notion, that’s why the nominations (Lagaan, Mother India, Salaam Bombay). Yet its a long way to go till we get that award. And we’d get it either by making a film that is rustic and raw, representing India in its truest form, tells of story nobody at the Oscar can even imagine. Or by making a film that matches their style and beat them at it. Aamir Khan has a long standing wish of doing this. Perhaps he’d one day.

    This year, they could have sent Gangs of Wasseypur instead of Barfi, chances would have been better.


  4. Yes true.. i SECOND YOUR Thought COMPLETELY.. rEGIONAL FIlms are much more represent-able than those bollywood blockbusters.

    Secondly, true Indians or the general mass is duped by these producers of so-called commercial films. I am not telling that entertainers should be banned, but the class of entertainment should increase.. you, know that will actually uplift the entire quality of movies produced in this country..

    Otherwise, thank you so much for your wise opinion!


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