A young man completes his degree in Physics from Scottish Church College, Calcutta and then becomes a journalist. Political backdrops and unseen personal clashes drive him out of the city and compel him to be a medical representative and medicine seller in an unknown land. He comes back to his city to take up a job of a sound technician in Calcutta and then the story begins. The journey through which Mr. Mrinal Sen took us, the film lovers of India, instigated and regularly echoed his struggles and frustrations about the fake and senseless culture of Indian cinema.
He believed in the art and realized its mass appeal. He wanted to tell stories in a different way. He tried to cause worries and also supplied means to tackle them. India has wasted many years after his efforts were fizzing off. He is 90 years old now and his dreams are still dreams in terms of implementation and honesty in the approach which beautified his films. The entire film fraternity saw three dominating film makers at that point as Satyajit Ray, Ritwik Ghatak and Mrinal Sen complemented each other with their strong story line and candid cinematography.
I personally believe that a even simple story can reach the hearts and minds of the audience with sheer brilliance of effective story telling technique. Mrinal Sen colonized this idea and he had this in-born talent of insightful story telling. With technicians and machines that are obsolete and out of practice in the modern film industry, he made some of the best films that Indians ever experienced.
Mrinal Sen, disillusioned by the inflexible and unjust rules of the world and specially his country had the guts to comment on some of the most sensitive issues of the 60’s, 70, and 80’s. His films in the 90’s and one in 2002 also had a social commentary to ensure food for his thoughts. He was a rebel as far as film making is concerned. The film industry broke some of the traditional shackles as he introduced his formula of new age films.
Sen’s works were inspired by a lot of unseen people and associations. His love for theater and drama might be the primary cause for shifting his interest from physics to films. Similarly, his respect for the doctrines of Karl Marx made him direct the Kolkata trilogy in the early 70’s. Interview (1971), Calcutta 71 (1972) and Padatik (The Guerilla Fighter, 1973) speaks about romantic and idiosyncratic Bengalis who fought for civil independence in their own land. He depicted emotions of a large section of our society who are deprived every day. The Naxalite movement was enclosed and celebrated with correct mindset and apt verbiage.
Humor was also an integral part of Mrinal Sen’s films and classy humor should be the term to define his witty depiction of scenes. He used visual metaphors and efficient ironical dialogues to establish his thoughts. He commented on a number of political events of that time and also displayed the pains and anguish of his hapless inmates due to the reckless and selfish political system of our country. From being a petty medical representative to be a film maker respected by the entire nation, Mrinal Sen’s journey witnessed 27 feature films, 14 short films and 5 documentaries.
My motion picture pays a humble tribute to Mrinal Sen for his lifetime achievements and efforts. He was a visionary who tried his best to reform the film industry, to enhance the creativity and film art, to negotiate unprofessionalism and establish honest intellectual approach towards films. His efforts didn’t go in vain but lacked proper support as sluggish film makers found means to promote their ideas about senseless cinemas and its profit quotients. The affluent educated society of the country still believes what Sen, Ray and Ghatak wanted to portray in their films, writings and interviews. However, the system has lost the zeal to implement new ideas.
The critics will be shouting and filthy business policies will be flourishing. Time goes by and Indian film industry including the regional film industries are still satisfied with box office returns. Film business schemes murders film art on a regular basis and deceive the illiterate common mass by showing rain scenes on the road, half-clad women in item numbers and sensual scenes of extra marital affairs.
As desperation and frustration creeps in my mind while I finish my reverence article for one of the pioneers of Real Indian movies, Mr. Mrinal Sen, someone tells me “Dabang 2” becomes a 100 crore member! (*sighs)